In 1978, science fiction writer Spider Robinson wrote a scathing review of The Stand in which he exhorted his readers to grab strangers in bookstores and beg them not to buy it.

The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil.

"I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke."

There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book.

WHISPERS was a major breakthrough in Dean's career, and when you read the book, it's easy to see why. It's an excruciatingly suspenseful tale of a talented, yet troubled young screenwriter being stalked by a relentless psycho who has a rather unique background of his own (to put it lightly).

But that's merely the surface story here. Koontz explores the serious theme of how childhood experiences can exert a powerful--if almost invisible--influence on an adult's life. It's a distinctly Freudian theory, and it's interesting to note that in interviews several years after he published this book, Dean criticizes his views as naive and uninformed.

Nevertheless, whether you agree with the psychological theories or not, you can read and enjoy this book for what it is: a masterful example of the suspense tale executed by a truly brilliant author. I refer to this novel again and again as I publish my own suspense novels, for sheer inspiration!

Highly recommended!

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Although it was the first of the series to be published, Tom Clancy's The Hunt for Red October is actually the third novel in the Jack Ryan series. It propelled Clancy, who had been an insurance salesman with only a few letters to the editor under his writing belt, to best-selling superstar. His success with military and espionage-related fiction earned him a title he does not readily accept: father of the techno-thriller.

This novel, if I remember correctly, was the first work of fiction published by the Naval Institute Press, the publishing arm of the United States Naval Institute, a civilian entity which promotes all things naval, including the study of naval history, strategy, technology, and tactics. Some of the Naval Institute Press' other books include A.D. Baker's Fleets of the World, Clay Blair, Jr.'s Silent Victory, and Norman Friedman's Desert Victory: The War for Kuwait. But considering that although Clancy's novel deals with the workings of other federal agencies such as the Central Intelligence Agency, the FBI, the National Security Agency, and both the Executive and Legislative branches, the heart of the story is a sea chase.

Based loosely on a 1975 incident in which a Soviet frigate attempted to defect to the West, The Hunt for Red October tells the by-now familiar tale of how Captain First Rank Marko Ramius and a group of selected officers aboard the Soviet Navy's newest Typhoon-class SSBN (the Navy designator for a nuclear-powered ballistic missile submarine, or "boomer") band together to defect to the United States and hand over the Red Navy's most advanced "stealth" submarine.

When twelve-year-old muskrat trapper Letty West stumbles on the naked bodies of Jane Warr and Deon Cash, deep in the snowy woods of northern Minnesota, it's more than another bizarre episode in her already unusual life, as Lucas Davenport discovers in this new outing in Sandford's popular series featuring the midwestern lawman who moonlights as a computer game designer. Lucas has a new wife, a new baby, and a new job as a political troubleshooter for his old boss Rose Marie Roux, but the blunt-spoken Davenport's instructions to hush the racially charged implications of what looks suspiciously like a lynching won't deter him from whomever left Warr and Cash twisting in the wind. The well-peopled plot, involving a hot car ring, an ex-nun who smuggles cancer drugs over the Canadian border, and the usual internecine wranglings between the FBI, the local cops, and Davenport, races to a satisfying denouement, but this time it's a little girl with a difficult past and an uncertain future who lingers in the reader's mind. Fortunately, Sandford comes up with an ending that makes it all but certain that his fans will meet her again. Meanwhile, all the author's usual trademarks are on display--excellent writing, an interesting scenario, and terrific pacing.

"My same is Stephanie Plum and I was born and raised in the Chambersburg section of Trenton, where the top male activities are scarfing pastries and pork rinds and growing ass hair." Within pages of this elegant introduction to the latest installment in Evanovich's bestselling numbered series, the less-than-stellar bounty hunter Stephanie Plum has managed to haul in a fat, naked and, yes, furry "skip" who has greased himself up with Vaseline to literally give her the slip. In the midst of taking him to the police station, however, Plum drops everything to help her beloved Grandma Mazur, who calls to say that Stephanie's mom locked herself in the bathroom to escape the craziness of the Plum family. Finally, Plum checks in at the office, where her employer and cousin, the bailbondsman Vinnie, assigns her back-up duty on the thorny case of a missing Indian man, Samuel Singh. Vinnie previously wrote a bond ensuring that Singh would leave the country when his visa expired, so the latter's disappearance drives Vinnie to call in the devastatingly attractive Ranger, his star enforcer, and assign Stephanie to help him. As fans know, the mysterious Ranger has long competed with the equally sexy Morelli to be the object of Plum's desire, so his presence-just as Plum has temporarily moved in with Morelli-keeps the sexual tension high.

This is the kind of writing that made Elmore Leonard famous. Shady characters hanging around Detroit, mingling with hardened criminals. As always, Leonard's characters are interesting and unique, and his dialogue is fantastic. He has a talent for describing characters and settings without over-describing them that fuels the imagination, making the reading that much more interesting.

Jack Ryan is a process server who has taken a strange (yet lucrative) job offer, looking for a man who is hard to find. What he finds is a scary guy whose associations both attract and endager Ryan. He meets a girl who he starts to like, a boss he starts to dislike, and an ex-con who he's just trying to get rid of. The resulting action is a series of crosses and double-crosses that never stops entertaining the reader.

Though there were a couple of plot elements that fell into place a little too easily (disposing of one love interest and the final showdown between all the bad guys), I really enjoyed this book. Just when you think that there's nowhere left for the characters to go, Leonard twists the plot a little, making for some very entertaining reading from the very beginning. For fans of Leonard, or even those unfamiliar with Leonard's work, this is a great read.

This addictive tale of a young lawyer defending a black Vietnam war hero who kills the white druggies who raped his child in tiny Clanton, Mississippi, is John Grisham's first novel, and his favorite of his first six. He polished it for three years and every detail shines like pebbles at the bottom of a swift, sunlit stream. Grisham is a born legal storyteller and his dialogue is pitch perfect.

The plot turns with jeweled precision. Carl Lee Hailey gets an M-16 from the Chicago hoodlum he'd saved at Da Nang, wastes the rapists on the courthouse steps, then turns to attorney Jake Brigance, who needs a conspicuous win to boost his career. Folks want to give Carl Lee a second medal, but how can they ignore premeditated execution? The town is split, revealing its social structure. Blacks note that a white man shooting a black rapist would be acquitted; the KKK starts a new Clanton chapter; the NAACP, the ambitious local reverend, a snobby, Harvard-infested big local firm, and others try to outmaneuver Jake and his brilliant, disbarred drunk of an ex-law partner. Jake hits the books and the bottle himself. Crosses burn, people die, crowds chant "Free Carl Lee!" and "Fry Carl Lee!" in the antiphony of America's classical tragedy. Because he's lived in Oxford, Mississippi, Grisham gets compared to Faulkner, but he's really got the lean style and fierce folk moralism of John Steinbeck.

In Sue Monk Kidd's The Secret Life of Bees, 14-year-old Lily Owen, neglected by her father and isolated on their South Carolina peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother. All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother. Although the plot threads are too neatly trimmed, The Secret Life of Bees is a carefully crafted novel with an inspired depiction of character. The legend of the Black Madonna and the brave, kind, peculiar women who perpetuate Lily's story dominate the second half of the book, placing Kidd's debut novel squarely in the honored tradition of the Southern Gothic

Larry McMurtry, in books like The Last Picture Show, has depicted the modern degeneration of the myth of the American West. The subject of Lonesome Dove, cowboys herding cattle on a great trail-drive, seems like the very stuff of that cliched myth, but McMurtry bravely tackles the task of creating meaningful literature out of it. At first the novel seems the kind of anti-mythic, anti-heroic story one might expect: the main protagonists are a drunken and inarticulate pair of former Texas Rangers turned horse rustlers. Yet when the trail begins, the story picks up an energy and a drive that makes heroes of these men. Their mission may be historically insignificant, or pointless--McMurtry is smart enough to address both possibilities--but there is an undoubted valor in their lives. The result is a historically aware, intelligent, romantic novel of the mythic west that won the 1986 Pulitzer Prize for fiction.

Weaves a dense web of subplots involving secondary characters and out-of-the-way places, with the idea of using the form of a long old-fashioned realistic novel to create an accurate picture of life on the American frontier. . . . The Great Cowboy Novel.